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An evening where everyone saw him: that is the whole defence
An evening where everyone saw him: that is the whole defence “Columbo and the Murder of a Rock Star”, 1991 · NBCUniversal
10×03 · Season 10 · 1991

Columbo and the Murder of a Rock Star

Russian title: Убийство рок-звезды · Russian version

A defence attorney murders the rock star client who is also his mistress, and builds an alibi from a concert broadcast. A tidy, professional episode from the middle of the ABC run.

Editor’s rating — 7.5 out of 10.

Number
58 of 69
Aired
April 29, 1991
Running time
91 min
Director
Alan J. Levi
Writer
William Read Woodfield

The case

The killer
Dabney Coleman as Hugh Creighton
The victim
Cheryl Paris as Marcy Edwards
Guest cast
Dabney Coleman, Little Richard, Tad Horino, John Martin, Julian Stone, Shera Danese

Columbo is an inverted mystery: the murder opens the film and the killer is known from the first minutes. What you are watching for is how he proves it — see how the character works.

Dabney Coleman
Dabney Coleman — Hugh Creighton

The murder

Hugh Creighton is a celebrated defence lawyer whose girlfriend, the singer Marcy Edwards, is about to leave him for someone else. His reputation, his practice and his self-image are all bound up in her.

He shoots her at her home and constructs an alibi from a concert he is supposedly attending: the performance is broadcast, the timing is documented, and he ensures he is seen at the right moments.

The plan is exactly what you would expect from a man who spends his professional life anticipating how prosecutions are built — every element is designed against a specific evidentiary objection.

The relationship had been an open secret in the industry and a closed one in Creighton's professional life, where a rock singer girlfriend was an asset until she became a liability. Marcy's decision to leave threatened not his heart but his standing among people who measure everything.

The concert alibi is built with a lawyer's care. He arranges to be seen arriving, seen in the interval and seen leaving, and calculates that nobody checks the middle of an evening they can account for at both ends. It is the reasoning of a man who has cross-examined a hundred witnesses about exactly that.

Hugh Creighton, a lawyer who has won worse cases than this
Hugh Creighton, a lawyer who has won worse cases than this “Columbo and the Murder of a Rock Star”, 1991 · NBCUniversal

How Columbo gets him

The lawyer-versus-detective dynamic is the episode's strength. Creighton knows precisely what Columbo is allowed to do, objects to it constantly, and treats every conversation as a deposition.

The concert alibi is where it fails. Broadcasts have timings; timings can be checked; and a man who was where he says he was would have seen things he cannot describe.

Columbo also works the victim's world — the band, the recording contracts, the people who knew what she was about to do — and finds that everybody except the boyfriend knew it was over.

Columbo's first move is the one Creighton least expects: he asks about the music. Not as a tactic but because he does not know it, and the questions establish, without appearing to, how much of the evening the lawyer actually experienced.

There is also the matter of the house. Creighton's account requires him to have arrived after the death, and the state of a Malibu property at night — lights, doors, the position of a car — is the sort of small physical record the series has always preferred to forensics.

The ending. Shadows Help Columbo Crack the Case Official Columbo channel · YouTube
Marcy Edwards at home, where nobody troubled her
Marcy Edwards at home, where nobody troubled her “Columbo and the Murder of a Rock Star”, 1991 · NBCUniversal
A camera lens: the thing nobody paid attention to
A camera lens: the thing nobody paid attention to “Columbo and the Murder of a Rock Star”, 1991 · NBCUniversal
The concert. Creighton describes a performance detail that did not happen on the night he claims to have been there.

Worth knowing

Verdict

Solid and unremarkable. The alibi is decent, the duel is professionally played, and nothing about it lingers.

A good example of the competent middle of the second run: nothing wrong with it, nothing to argue about either.

Watch it after the stronger lawyer episodes rather than before. Agenda for Murder does the same duel considerably better, and this one suffers by comparison in a way it would not if it stood alone.

The lieutenant listens to the record more closely than any producer
The lieutenant listens to the record more closely than any producer “Columbo and the Murder of a Rock Star”, 1991 · NBCUniversal

Familiar faces

Actors who turn up in the series more than once — sometimes in very different parts.

Cast data from TMDB, including uncredited bit parts. All the familiar faces →