Lieutenant Columbo

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The staircase in the beach house, where it happened
The staircase in the beach house, where it happened “Murder in Malibu”, 1990 · NBCUniversal
9×06 · Season 9 · 1990

Murder in Malibu

Russian title: Убийство в Малибу · Russian version

A romance novelist is shot in her beach house, and the obvious suspect is her fiancé. One of the weakest films of the run, and interesting mainly for how visibly the format is straining.

Editor’s rating — 6 out of 10.

Number
55 of 69
Aired
May 14, 1990
Running time
90 min
Director
Walter Grauman
Writer
Jackson Gillis

The case

The killer
Andrew Stevens as Wayne Jennings
The victim
Janet Margolin as Theresa Goren
Guest cast
Andrew Stevens, Brenda Vaccaro, Laurie Walters, Jana Brown, Floyd Levine, Sondra Currie

Columbo is an inverted mystery: the murder opens the film and the killer is known from the first minutes. What you are watching for is how he proves it — see how the character works.

Andrew Stevens
Andrew Stevens — Wayne Jennings
A scene from the episode. The Plot Thickens! Official Columbo channel · YouTube

The murder

Theresa Goren writes bestselling romances and is engaged to Wayne Jennings, a man whose interest in her is entirely financial. When she discovers what he is and moves to cut him out, he shoots her at her Malibu house.

The staging is a burglary, and it is not especially careful. Jennings is not a planner; he is an opportunist who has run out of options and improvises a scene he hopes will hold.

The film's structural problem is that he is never a credible opponent. Where the classic murderers are professionals whose competence creates the puzzle, Jennings is a man hoping nobody looks too hard.

Theresa Goren's world is the machinery of commercial romance: deadlines, publicity tours, a publisher who needs the next book. Jennings has been living inside that machinery as an accessory, and the engagement was his route to a permanent position in it.

When she discovers he is only in it for the money and moves to end things, he shoots her at the beach house and turns the room over. There is no timing to speak of and no alibi worth the name — he is relying entirely on the police accepting a burglary.

Wayne Jennings knows how to be liked; it is his profession
Wayne Jennings knows how to be liked; it is his profession “Murder in Malibu”, 1990 · NBCUniversal

How Columbo gets him

Columbo's interest lands quickly on the fiancé, and the episode does not pretend otherwise. There is no duel of wits, only a slow accumulation of small inconsistencies in a story that was never strong.

The best material is peripheral: the dead woman's publisher, her sister, the machinery of romantic fiction as an industry. The lieutenant is genuinely curious about how books get written, and those scenes have more life than the case.

The physical evidence is straightforward — the burglary is staged, the entry was not forced from outside, and Jennings cannot account for the hour.

Columbo's suspicion is immediate and stays that way, which is the episode's structural problem: there is nowhere for the film to develop. What holds the middle together is the peripheral world — the publisher, the sister, the business of writing books to a formula.

The lieutenant asks a great many questions about publishing schedules and royalty statements, and the answers establish who stood to gain from the marriage and who from the death.

The final trap is small and physical, built on what the victim had done that afternoon rather than on anything the murderer said.

The ending. A Pair of Underwear Solves the Case Official Columbo channel · YouTube
Malibu: the lieutenant looks especially out of place on a beach
Malibu: the lieutenant looks especially out of place on a beach “Murder in Malibu”, 1990 · NBCUniversal
The victim's sister knows who gets the money
The victim's sister knows who gets the money “Murder in Malibu”, 1990 · NBCUniversal
The victim's hair. She had just come from the salon, and the state of it is inconsistent with the struggle the burglary story requires.

Worth knowing

Verdict

Flat. The murderer is not clever enough to sustain ninety minutes, and the film knows it — the pacing sags badly in the middle.

Completists only. If you are working through the ABC years, this is the one to watch when you are doing something else.

The comparison that matters is with the classic-era films about the wealthy: those murderers had something to defend, and Jennings has only something to gain.

If you are watching the whole run in order, this is the point where the difference between the two eras is at its most visible — and the honest thing to say is that it is a matter of writing rather than of Falk, who is exactly as good here as he is anywhere.

The questions are asked in the sunshine, which makes them no easier
The questions are asked in the sunshine, which makes them no easier “Murder in Malibu”, 1990 · NBCUniversal

Familiar faces

Actors who turn up in the series more than once — sometimes in very different parts.

Cast data from TMDB, including uncredited bit parts. All the familiar faces →